Turkish stringed instrument8/31/2023 ![]() He switched his company from dealing with arms to manufacturing musical instruments for "the support of peace through music." In a meeting with Mustafa Kemal Atatürk, the founder of the Republic of Turkey, he showed one of his new inventions. Rising and falling with social tides Īfter the Turkish War of Independence Zeynel Abidin Cümbüş wanted to create a new instrument to embody the ideals of peace, an instrument for the masses. When Mustafa Kemal Atatürk decreed that families take surnames in 1934, Zeynel Abidin adopted the name of his famous instrument. Early instruments show his name as he wrote it "Zeynelabidin" (a single name, not two). His name is often written "Zeynel Abidin Bey" online in Turkey, where Bey is an honorific, such as mister. He was born Zeynel Abidin in Skopje, Macedonia and immigrated to Beyazit, Istanbul, Turkey. Unlike inventors who name their inventions after themselves, Zeynel Abidin Cümbüş took his last name from his instrument. The word cümbüş is derived from the Turkish for "revelry" or "fun", as the instrument was marketed as a popular alternative to the more costly classical oud. Origin of the maker and the name Zeynel Abidin Cümbüş holding one of the instruments he invented, from a newspaper clipping One model is made with a wooden resonator bowl, with the effect of a less tinny, softer sound. The neck is adjustable, allowing the musician to change the angle of the neck to its strings by turning a screw. The standard cümbüş is fretless, but guitar, mandolin and ukulele versions have fretboards. Although originally configured as an oud, the instrument has been converted to other instruments by attaching a different set of neck and strings. The cümbüş is shaped like an American banjo, with a spun-aluminum resonator bowl and skin soundboard. It was developed in 1930 by Zeynel Abidin Cümbüş (1881–1947) as an oud-like instrument that could be heard as part of a larger ensemble. The cümbüş ( / dʒ uː m ˈ b uː ʃ/ Turkish pronunciation: ) is a Turkish stringed instrument of relatively modern origin. The performance of these instruments is higher and faster than the human voice.The standard cümbüş with 12 strings and no fretboard, configured as an oud Most of these instruments have a vocal range of 2.5 octaves. Although some Iranian instruments were introduced over time, traditional musical instruments influenced and inspired many regions. Thanks to their lifestyle and accessible facilities, Iran's regions have a variety of musical features and instruments. ![]() Today, nations in different parts of Iran make and use musical instruments that differ in their construction and sound themes. Iran has a variety of musical instruments. Persian instruments have a wide range and ethnic diversity. Persians started to play new Persian instruments by developing their musical culture. In parallel with the developments in the 20th century, social changes have begun at every level of society. Since the origin of the music we call Iranian music is based on the Persian empire, it would not be wrong to say Persian music. The music culture of every nation has been transferred from generation to generation over the years. When the emotions are different, the art they produce is also various. The basis of the difference of this art lies in the tastes of the people of the region. Common Features of Persian InstrumentsĮvery country has its art. We believe you will find here the Persian instrument you would like to play at the best value. You can always physically visit our store situated in Istanbul or see various models in our catalogue through our website. All of our Persian instruments are hand-made, constructed by masters you can decide to buy a standard, high-quality or professional instrument upon your budget and needs. We provide you in our catalogue with various Persian String Instruments ( Santoor, Setar, Tar, Tanboor, Dotar, Shourangiz), Bowed Instruments ( Persian Kamancheh, Azeri Kamancha), Woodwind Instruments ( Persian Ney and Dozaleh) and Persian Drums ( Daf, Tombak, Azeri Dayereh). ![]() You can live such experience by playing one of these instruments yourself, wandering in the beautiful dastgahs (modes or scale of a piece in Persian music). This emotional expression is given through a variety of Persian instruments each of which has a particular timbre and sound. Persian classical music is about creating an ecstatic mood and an emotional bond between the listener and the performer.
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